Jianul

JIANUL
Romanian

PRONUNCIATION: ZHYAH-nool
The -ul ending, pronounced "-oo" (colloquial) or "-ool" (more formal usage) is a form of the Romanian definite article, the equivalent of English "the;" hence jianu = "legendary hero," jianul = "the legendary hero."

TRANSLATION: Legendary hero

SOURCE: Larisa Lucaci introduced this dance to folk dancers in the United States and taught it at the 1966 Santa Barbara Folk Dance Conference.

BACKGROUND: One of the most famous legendary heroes of Romania was the nefarious ruler, Vlad Dracul ("Vlad the Impaler"), to whom has given the name "Dracula." Can we see the flapping wings of vampire bats during the dance? Who knows!

MUSIC: Folk Dancer (78rpm) MH-1122-A

FORMATION: Closed cir of mixed M and W with hands joined and held down in "V" pos. To begin the dance, dancers face diag R and beg moving to the R in LOD.

METER/RHYTHM: 2/4

STEPS/STYLE: FLYING TWO-STEP: Long running step R fwd, swinging hands twd ctr (ct 1); short running step L fwd (ct &); long running step R fwd, swinging hands away from ctr (ct 2). While this motif resembles three simple running steps, the second step (on ct &) is actually shortened to give it the character of a legitimate Two-Step. The repeat is danced in the same dir with opp ftwk.
HANDS are held down and make short fwd and bwd swings during each Flying Two-Step.
LEAP: Facing ctr and bending slightly fwd at hips, Leap swd, extending free leg bwd and swinging arms fwd (ct 1); Leap across in back of supporting ft with free ft, straightening body and swinging arms bwd (ct 2).
HANDS are held down and make a large fwd swing on the first Leap and a large bwd swing on the second Leap.

MEAS MOVEMENT DESCRIPTION

INTRODUCTION

1-4 No action.

TWO-STEPS AND LEAPS

1-2 Dance 2 Flying Two-Steps;

3 Turning to face ctr, Leap swd, leaning slightly fwd from hips and bringing free leg up in back (ct 1); leap across in back of supporting ft with free ft (ct 2).

Dancers continue in the same dir until a leader calls for a change in dir (see Calls below).

TRANSITION

When a leader calls for a change in direction on the two Leaps, dance three Flying Two-Steps instead of two, making an arc into the cir to end facing in the opp dir.

3 Turning to face ctr, Leap swd in new dir, leaning slightly fwd from hips and bringing free leg up in back (ct 1); Leap across in back of supporting ft with free ft (ct 2).

Repeat the dance in the opp dir, widening the cir on the first Flying Two-Steps, until a leader again calls for a change in dir, whereupon everyone dances a third Flying Two-Step as a transition, making an arc twd ctr to face opp dir.

CALLS

Şi la stînga, şi! (SHEE lah STING-gah SHEEEEEE) "Let's go to the left!"
Şi la dreaptă, şi, şi, şi! (SHEE lah DREHP-tuh shee shee SHEEEEEE) "Let's go to the right!
The calls may be made often, which keeps the dancers alert and the dance quite lively.

Copyright © 2004 by Dick Oakes

JIANUL Romanian

PRONUNCIATION:	ZHYAH-nool The -ul ending, pronounced "-oo" (colloquial) or "-ool" (more formal usage) is a form of the Romanian definite article, the equivalent of English "the;" hence jianu = "legendary hero," jianul = "the legendary hero."

TRANSLATION:	Legendary hero

SOURCE:	Larisa Lucaci introduced this dance to folk dancers in the United States and taught it at the 1966 Santa Barbara Folk Dance Conference.

BACKGROUND:	One of the most famous legendary heroes of Romania was the nefarious ruler, Vlad Dracul ("Vlad the Impaler"), to whom has given the name "Dracula." Can we see the flapping wings of vampire bats during the dance? Who knows!

MUSIC:	Folk Dancer (78rpm) MH-1122-A

FORMATION:	Closed cir of mixed M and W with hands joined and held down in "V" pos. To begin the dance, dancers face diag R and beg moving to the R in LOD.

METER/RHYTHM:	2/4

STEPS/STYLE:	FLYING TWO-STEP: Long running step R fwd, swinging hands twd ctr (ct 1); short running step L fwd (ct &); long running step R fwd, swinging hands away from ctr (ct 2). While this motif resembles three simple running steps, the second step (on ct &) is actually shortened to give it the character of a legitimate Two-Step. The repeat is danced in the same dir with opp ftwk. HANDS are held down and make short fwd and bwd swings during each Flying Two-Step. LEAP: Facing ctr and bending slightly fwd at hips, Leap swd, extending free leg bwd and swinging arms fwd (ct 1); Leap across in back of supporting ft with free ft, straightening body and swinging arms bwd (ct 2). HANDS are held down and make a large fwd swing on the first Leap and a large bwd swing on the second Leap.


MEAS	MOVEMENT DESCRIPTION


	INTRODUCTION

1-4	No action.

	TWO-STEPS AND LEAPS

1-2	Dance 2 Flying Two-Steps;
3	Turning to face ctr, Leap swd, leaning slightly fwd from hips and bringing free leg up in back (ct 1); leap across in back of supporting ft with free ft (ct 2).

	Dancers continue in the same dir until a leader calls for a change in dir (see Calls below).

	TRANSITION

	When a leader calls for a change in direction on the two Leaps, dance three Flying Two-Steps instead of two, making an arc into the cir to end facing in the opp dir.
3	Turning to face ctr, Leap swd in new dir, leaning slightly fwd from hips and bringing free leg up in back (ct 1); Leap across in back of supporting ft with free ft (ct 2).

	Repeat the dance in the opp dir, widening the cir on the first Flying Two-Steps, until a leader again calls for a change in dir, whereupon everyone dances a third Flying Two-Step as a transition, making an arc twd ctr to face opp dir.



	CALLS

	Şi la stînga, şi! (SHEE lah STING-gah SHEEEEEE) "Let's go to the left!" Şi la dreaptă, şi, şi, şi! (SHEE lah DREHP-tuh shee shee SHEEEEEE) "Let's go to the right! The calls may be made often, which keeps the dancers alert and the dance quite lively.

Copyright © 2004 by Dick Oakes