Carlama

ČARLAMA
Serbian

PRONUNCIATION: CHAR-lah-mah

TRANSLATION: Tricky and fast-paced

SOURCE: Dennis Boxell introduced this dance to folk dancers in the United States. Čarlama, or Užička Čarlama, was recorded on a film made in Zagreb in 1948 titled "Yugoslav Folk Dances" by an amateur group from the town of Užice in western Serbia. Yet, its origins are relatively unknown. Another dance by the same name was taught by Anatol Joukowsky.

BACKGROUND: Dick Crum, noted Balkan dance researcher, writes that "in the opinion of Mme. Magzinović, Serbian dance historian, Čarlama could easily have been an novelty dance created by Serbian soldiers who had seen dances of other nationalities during World War I and emulated some of the foreign movements that were fun to do in boots."

MUSIC: Folk Art (10"EP) LP-107
Folkraft (45rpm) 1498x45
Kolo Festival (45rpm) 498
NAMA 2 (LP) 1002, side A, band 6

FORMATION: Line or open cir of mixed M and W with hands joined and held down in "V" pos, end dancers with free hand at small of back. In Serbia, M would be at both ends of the line or open cir. If the line is of M only, they may hold belts in "X" pos, R arm under.

METER/RHYTHM: 2/4

STEPS/STYLE: During the first part of the dance the steps are small and close to the floor.

MEAS MOVEMENT DESCRIPTION

INTRODUCTION - None.

I. IN PLACE (ŠUMADIJA STEP)

1 Facing ctr, low hop in place (ct 1); very small step fwd R (ct &); step L in place (ct 2);

2 Step R next to L (ct 1); low hop R in place (ct 2).

3-4 Reverse action of meas 1-2 with opp ftwk.

5-16 Repeat action of meas 1-4 three more times.

II. MOVING R, L (HEEL-CLICKS)

1 Facing slightly diag R and moving in LOD, low hop L (ct 1); step R (ct &); step L across in front of R (ct 2);

2 Low hop L clicking R heel to L heel (ct 1); low hop L clicking R heel to L heel (ct 2);

3-6 Repeat action of meas 1-2 two more times;

7 Repat action of meas 1;

8 Step R in LOD (ct 1); turning to face diag L, low hop R (ct 2);

9-16 Reverse action of meas 1-8 with opp ftwk.

Repeat entire dance from beg.

For variation in Fig II, the leader at either end of the line or open cir may wind his end into a spiral.

Copyright © 2003 by Dick Oakes

ČARLAMA Serbian

PRONUNCIATION:	CHAR-lah-mah

TRANSLATION:	Tricky and fast-paced

SOURCE:	Dennis Boxell introduced this dance to folk dancers in the United States. Čarlama, or Užička Čarlama, was recorded on a film made in Zagreb in 1948 titled "Yugoslav Folk Dances" by an amateur group from the town of Užice in western Serbia. Yet, its origins are relatively unknown. Another dance by the same name was taught by Anatol Joukowsky.

BACKGROUND:	Dick Crum, noted Balkan dance researcher, writes that "in the opinion of Mme. Magzinović, Serbian dance historian, Čarlama could easily have been an novelty dance created by Serbian soldiers who had seen dances of other nationalities during World War I and emulated some of the foreign movements that were fun to do in boots."

MUSIC:	Folk Art (10"EP) LP-107 Folkraft (45rpm) 1498x45 Kolo Festival (45rpm) 498 NAMA 2 (LP) 1002, side A, band 6

FORMATION:	Line or open cir of mixed M and W with hands joined and held down in "V" pos, end dancers with free hand at small of back. In Serbia, M would be at both ends of the line or open cir. If the line is of M only, they may hold belts in "X" pos, R arm under.

METER/RHYTHM:	2/4

STEPS/STYLE:	During the first part of the dance the steps are small and close to the floor.


MEAS	MOVEMENT DESCRIPTION


	INTRODUCTION - None.

I.	IN PLACE (ŠUMADIJA STEP)

1	Facing ctr, low hop in place (ct 1); very small step fwd R (ct &); step L in place (ct 2);
2	Step R next to L (ct 1); low hop R in place (ct 2).
3-4	Reverse action of meas 1-2 with opp ftwk.
5-16	Repeat action of meas 1-4 three more times.

II.	MOVING R, L (HEEL-CLICKS)

1	Facing slightly diag R and moving in LOD, low hop L (ct 1); step R (ct &); step L across in front of R (ct 2);
2	Low hop L clicking R heel to L heel (ct 1); low hop L clicking R heel to L heel (ct 2);
3-6	Repeat action of meas 1-2 two more times;
7	Repat action of meas 1;
8	Step R in LOD (ct 1); turning to face diag L, low hop R (ct 2);
9-16	Reverse action of meas 1-8 with opp ftwk.

	Repeat entire dance from beg.

	For variation in Fig II, the leader at either end of the line or open cir may wind his end into a spiral.

Copyright © 2003 by Dick Oakes